Monthly Archives: May 2015

Sick World

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Back in May of this last year, I got an email from an Art Director named Florian Mihr at a pretty big record company, Fearless Records, out of LA. He’d found one of my old 365-Photos that I’d done over a year before, with a creepy arm coming out of my mouth, and wanted to do something along those lines for the album art for a band they’d recently signed called My Enemies & I. They thought my background and style fit with the band’s, and I had to agree! I loved the band’s sound immediately and jumped on the opportunity.

ME&I had a music video out for one of their songs that featured a creepy, oily black hand, and I knew I wanted to match that stylistically. What would I use for the goop? My first thought was chocolate syrup. Though messy and a bit gross, my old days working at a summer camp that features messy activities (which includes kids covering themselves in the likes of chocolate syrup) prepared me to take a dip into the stuff.

I also knew we’d be relatively close-up on the face for this shoot, and so I wanted to make the model anonymous and with a feeling of something eerie, and so I went with a gauze wrap over the upper half of the face. The gauze also called to mind echoes of illness, which would match the album title, Sick World.

A bit of test work and photoshopping later, and I got two mockup images.

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The images quickly reassured me that my photo abilities had definitely improved in a year and half to where they needed to be, and I jumped on finalizing the idea, getting two of my friends together to do an only slightly awkward shoot, with syrup everywhere, handprints, and of course, my buddy CJ’s corgi running around trying to figure out just what the hell we were up to.
Corgi

The lighting was simple. I wanted to go with high contrast and drama because we were going for that horror movie feel, so I lit it with one canon speedlite on camera left with a soft white umbrella modifier against a plain white wall.
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I did some quick edits in photoshop to put it all together and color grade the way I wanted before sending them off to Florian. He and the band loved them (here, we took a break to work on the new BlessTheFall art, which came up suddenly and needed all of our attention). From there, we made small tweaks to hand placements and which base image they preferred. I sent the file along so that Flo could work on the title design, and we had our finished product. 12032854_1231629103529278_3119624340908748732_oThe EP dropped yesterday on iTunes, which you can check out here.

It’s a badass blend of different hard rock and metal genres, and I dig the shit out of it. If Metal is your jam, give it a listen! I think these guys could seriously be big.

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First Forays into Fashion

So back in January, a hairstylist friend asked if I’d mind helping her organize a photoshoot with her for her entry into the North American Hairstylist Awards (NAHA) for 2015. I hadn’t yet done any fashion photography. Growing up the way I did, the fashion world was an alien one to me. All I knew of it was strange outfits and frighteningly thin models on runways. But the world of fashion photography, I quickly found, is a very compelling one. It’s a place where artists play with extremes in look and theme and style. And the photography often matches the extremes in look. At its heart, too, are damn good portraits. My work as a photographer plays in very similar sandboxes. While I love a striking portrait, I also love to play in the surreal, the places of extremes, where the world starts to break down. Where I can introduce some horror elements, sometimes a much more dreary mood, sometimes in places mildly disturbing, which don’t generally work in the traditional photoshoot for families and seniors! And so I happily signed up for the job, hoping to get my feet wet and learn a thing or two about this fashion world.

We shot with five models in five days, Jesi often spending an entire afternoon in her studio, working on the hair and makeup. I’d rendezvous with the team in the evening and drive up the mountain to an empty semi-industrial once-garage that a family member of Jesi’s was about to flip for a 4-wheeling company. I used my 6D and 50mm lens, along with my speedlite, a diffusion umbrella, and an LED continuous light. I love the results. The bright varieties of color, changing from shot to shot, are one of the more popping elements, and they developed purely in post-processing, the way that photos often will come alive with a life of their own, totally unplanned, in ways that surprise me. Depending on the project, I like to leave room for this to bubble up. Sometimes, you have a specific mood, a specific color grading, theme, and style that you need to capture both in camera and as the team imagined. But shoots that allow room for creativity, for play, for the photos to go an unexpected direction… that’s fun. It was a great shoot, and I’m already working ideas for upcoming shoots.

We didn’t hit the finals this year, which was okay. I think it was a necessary learning experience for everyone involved. But a killer one. I’m very thrilled with the final portraits, and I know it wouldn’t have been possible – at all – without everyone else involved behind and in front of the lens.

I’m always looking for more work, and I’m very excited about future forays into this fashion world. If you need any photos done, or would like to work with me on a portrait session in the future. You know where to find me, www.KarlPfeiffer.com.

And of course, I want to thank Jesi for having me out on the shoot! If you’re in the Loveland, Colorado area, and you want to visit her, check out their website here: www.generationsalonandspa.com/

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