Category Archives: American Horror Story

AHS: Freak Show – Monsters Among Us Review

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After months of speculation, fan-made promos, teasers, and hauntingly beautiful official promos, we’re finally met with the premiere of the fourth season of the anthology juggernaut, American Horror Story, this year in the Freak Show.

If it’s not already abundantly clear, I’m a huge fan of this show. But because of that, I hold it to a very high standard. First season was excellent. Smart, well-filmed, challenging, and stylized. Second season started to lose me in the near-mess of horror tropes thrown at the audience. But it regained my trust in the final few episodes, which, while to some fell a too-rapid shift in tone, for me it brought together the themes the season played upon in an elegant and subtle way. The aliens were stand ins for divinity and the achievements of science, the asylum stood as a sad pinnacle of religious corruption and our lack of progress at the time. Together, binaries were fuzed and meshed and reversed and the entire season came off a huge artistic success.

Then, of course, season three hit. True to form for third-season-ruts (see: Supernatural), Ryan Murphy and co. decided to lighten the show’s tone after Coven, which I was fine with. The shots were still beautiful. The eeriness blended well with the synth-heavy musical score, given a fresh, modern feel on the witches genre. It worked. Until it didn’t. The first episode gave us a taste of what could have been to come: female empowerment, reversal of race issues, sexuality (as always), the struggle against mortality. It was trimmed down from Asylum, sleek… and then it just stopped. Halfway through, the season became witches being bitches, and the race dialogue was lost in throwing away our black characters because the plot ran out. It tried to pull an Asylum and save it in the final episode, but the big themes were pushed aside. Literally, too little, too late.

Now, I know, some were fans, and some were not. Indeed, that’s my first point going into this review of Freak Show today. Horror is a tricky genre because everyone approaches horror with different tastes and expectations. What scares one person won’t phase another. Some want to simply be scared and entertained. Some want to be intellectually challenged.

So before going into Freak Show, I want to set my expectations of the show. After seeing how smart a show it could be from the moment I hit first season, and the moment Asylum floored me, I knew this show was brilliant. The very premise, even, that in the horror genre, yes there are frightening monsters, but the most frightening issues are the societal ones. Boom. That’s it. There’s our one-sentence show pitch.

But along the way, AHS picked up some brilliant cinematography and editing. The show is a breath of fresh air compared to much of television in its uniqueness of style. The acting was great, with Jessica Lange perennially stealing the show. And the scares, well, like I said, everyone has different triggers. But compared against most of TV? It’s happily in the horror genre.

SO: Freak Show.

If my rambling prologue there wasn’t indication enough, the first episode is usually strong. The show has history with getting rough as it gets going. So the first episode review should only be taken as far as you can throw it.

That said, I mostly totally dug it.

The cinematography was still gorgeous. I love the wide angle shots that have become staples. And the twilight carnival shots with the lights… well that hits me right in the feel goods. That’s my sandbox right there.

The acting, of course, is always exciting to see how the actors mold to new characters, and it was done well. Good to see Jessica Lange staying steady as the manipulative matriarch with some well-buried brokenness.

Twisty the Clown was trending all Wednesday night on Twitter, and I can see why. web_ins_gallery_detail_series_dsktp_ahs_01

He’s probably the scariest clown I’ve ever seen. I’m not scared of clowns, myself, so perhaps some folks would disagree, but he’s creepy as hell. Perhaps overdone? But dirty, dark, gritty, murderous, and with secrets yet to be revealed, I like it.

I thought it was a curious decision, but one that I wound up liking, to reveal Twisty first in daylight. It seems to me that this speaks to the team’s confidence in their creation sustaining scares no matter what the time of day. It worked for me. The creepy Louisiana (okay, “Florida”) wilderness tied to a violent illustration of just how dark humanity can be was very reminiscent of HBO’s True Detective, which I was very okay with. In the end, yes, the folks who don’t like clowns aren’t gonna like Twisty, and he’s dark enough that he could literally scare some away, but I’ve never gotten the impression AHS cares too much.

The real heart of the show though is the themes. And AHS has seemed to strip this season down to, literally, just freaks. What makes someone a freak. What physical deformity means socially. How freaky are human beings in general. What’s the appropriate response to social marginalism.

Of course, some won’t have it. Some will. And likely there’s gray space in between where the show is actually operating. I watched headlines before the premiere about what a terrible show it is to exploit the disabled as horrific. I just read a Buzzfeed article about how AHS isn’t as progressive as we think. And it goes on.

For the ones who won’t have it: AHS, as I said above, is about reversing many illustrations of what’s monstrous. There’s always extremes (usually the big bad murderer) for the scares, but the heart is in reframing what should be scary. If it fails, a la Coven, and winds up reinforcing these social issues, then yeah, it should be held to that. But I think the intentions are here, it’s a matter of the skills of the writers, and so far, given the pilot episode, we have a lot to work with. The deformities are played upon, but that’s of course the AHS style. It’s always right in your face.

Ariane Lange’s Buzzfeed piece was accurate. If AHS is as progressive as we think/want, it needs to do more than normalize the inner human of the disabled, and instead examine them as abnormal, but abnormal because of society’s treatment and their experiences due to that treatment and to the disability.

To which I say, A) give it a chance. we still have 12 episodes yet to see if Murphy and co. will move beyond the “they’re just people too” theme. But also… B) I think it’s already going beyond that. If we want to examine the true ways that “freaks” are abnormal, which is to say, who they’ve become because of marginalization and efforts in a world that doesn’t provide for them, then this is an excellent space for it. Right off the bat, we have two murders by the “freaks” (three more if you count Twisty), and an instant questioning of where those murders fall on the morality line. I think that by reframing “freaks” as “normal” so quickly that we can jump right into looking at the moral nuances that their situation provides, AHS is already being relatively progressive. I very much don’t expect to find the conclusion of the season being that freaks are freaks and normal people are normal.

We’re not in AHS’s sandbox until we’re questioning everyone and watching the plot unravel because American culture is really, really good at being freakish and horrific. That will again and again be the attempt of the theme of this show.

Now, of course I’m worried that there’s not going to be enough to chew on to stretch this out for a season. Already in episode one we’ve had emphasis on society’s sad treatment of the “freaks”, we’ve had illustrations of their experiences and humanity, and we’ve got the classic AHS plays on what’s freaky, what’s justified freaky, what’s extreme freaky, what’s human, and how much of the horror is in our nature.

All those things I want to see twisted and reversed and changed and explored further, but I worry it’ll be tired by January.

But also, I hope. I hope that with all that time, Murphy and Co. will address those issues that Lange points out, and progress a good, dark, Asylum-level dark (but smart) story.

That’s one that time will tell. But there’s more than enough here at the start to keep me on board and happy… even if they always start that way.

Karl Pfeiffer is a novelist, photographer, and ghost hunter. He won the first season of Ghost Hunters Academy, went on to work with the GHI team. He’s the author of Hallowtide, and Into a Sky Below, Forever. He contributes to the TAPS Paramagazine, leads the weekend ghost hunts and the Stanley Hotel, and shoots conceptual and portrait photography in Colorado. More can be found at http://www.KarlPfeiffer.com

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Future Seasons of American Horror Story

I wrote a post very similar to this one after the end of Season Two and, while I kept that post updated, it’s beginning to fall a bit out of date, and so I wanted to revisit the post with some new ideas and sexier photoshop work.

So, a bit of a recap, shall we? American Horror Story is a show defined by iconic marketing imagery, a frantic-yet-elegant cinematic style, an ensemble cast that’s always excellent, pitch perfect thematic studies, and interwoven anthology plots.

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In season one, we visited the Murder House. The setting was a haunted house in California, and it allowed the writers and directors to study such American Horrors that the supernatural horrors are only caught up within: the real horrors — the way people react to and perpetuate social issues. Adultery. Abortion. Gay rights. The 21st Century family. School shootings. Depression. Teenage romance. Bullying. The themes that circle the home.

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With second season, we had a big switch, moving into the Asylum. Though first season was dark, it was so in a sexy, elegant, nature. The scares crawled around inside your head a bit. But with season two, Murphy and Co. turned it up to eleven. The sexiness was out the window. The show was a period piece for the 60’s, a time that’s beginning to seem almost pre-historic to us. The setting and time period allowed the writers to explore the big issues of the time (many that are unfortunately still very prevalent), and what made the season brilliant by the final episodes was the way the writers spring-boarded from social issues to philosophical issues. Women’s rights, civil rights, gay rights, the role of the Church in the world and within institutions, the treatment of the mentally ill, the ways science can twist and corrupt, and the ways science can redeem. We got some supernatural scares, but not so much of the ghostly, super-powered variety. We saw aliens as a brilliant stand-in for God, we saw possession unrecognized in a place of god, and of course we saw our seasonal historical murderer.

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And then season three happened. Drawing mixed reviews from critics, season three moved us down south, with Coven. Coven aimed to iron out some of the kinks with Asylum: to give the audience a breath of fresh air from the deep darkness of the Asylum, to shave off some of the abundant themes and plotlines that slowed the second season in the middle of its run. They went after feminism and racism in the south, tracking the split of two witch clans and the battle between them as it was reignited. The first episode was a powerhouse, but the show stumbled along after that, missing the opportunities to sneak in genuine frights, and, sadly, instead of deconstructing many of these themes, wound up reinforcing them by season’s end.

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And now, in the late summer of 2014, we move into the fourth season, where we’ll step right up to the Freak Show. I’m utterly pumped for this season (and utterly disappointed in myself that I never thought of the carnival/freakshow idea in my earlier blog post: thanks commenters!) Where Murphy first confessed he was going for a lighter tone and a funny feel the way of Coven, he realized as he got into the plot that this season was, in fact, darker than Asylum. And, I hope, more on track with its thematic study of the nitty gritty. The promos are already exceptional. The clown is going to be scary as shit. And for the first time in more than half a century, we’re really going to get a piece of film/television that digs around in a very much overlooked piece of American history: the sideshow carnival. Looks for more civil rights type issues, post-WWII racial scares, and another season where the monsters are never the monsters.

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(And of course, the alternate title card used with the actual-footage teasers)

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So where do we go from here?

Ryan Murphy has on multiple occasions mentioned that the season following Freak Show was going to be followed by something very much out of left field. While I’ve got a few good ideas, I don’t think any of them are quite as out-of-left-field worthy for the fifth season as Empty Space. Space has a myriad of setting-style titles, so it could be tough for fans to guess this subtitle. But space is a rich American horror soil, and very much do-able for Murphy and Co. I have regular debates with my good buddy CJ about the possibilities of such a season. He argues that aliens shouldn’t make an appearance to throw viewers, whereas I think they can. Granted, AHS has already done aliens in Season Two, but they were brief and very much an image-centric stand-in. They could easily do some creatures heretofore unseen. But with the potential for deep space survival, fear of unknown planets, rebellious robots, rebellious other ships, and with a wealth of horror-movies to nod to and reference, I think we can count on seeing Empty Space in the near future for AHS, hopefully as near as Season Five.

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Almost equally as obvious and overdue as space in the AHS franchise as my vote for Season Six? I’ve subtitled it the Woodlands. (Part of me fought with debate over calling it “Sticks” — a play on the folk phrase for the backwoods mixed with the River Styx from Greek mythology, a thematic allusion very much up Murphy’s alley). The Woodlands locale is rich for AHS. It’s the setting of many in the classic staple of American Horror: the Slasher film. We set this at a cabin or lakeside retreat, and let havoc play out. We’d get the classic slasher killer (likely somebody historical), but there’s room here to play with more modern manifestations from the woods, like Slenderman or cryptid beasties. Murphy has spoken in recent interviews about the nature of death on television, and how it’s different than in movies. Because of the way a 13-episode television run connects you with characters for six times longer than the average movie, you become far more attached, and so those deaths are more meaningful. While in many ways this can be a deterrent for a slasher season, I think it’s territory to play with those losses as the horror that they are.

Thematically we’ve got play by looking no further than Lars von Trier’s disturbing film, Antichrist. Von Trier, in interviews, pointed out that one of his main thematic goals with the film was to explore the dichotomy between the woods currently illustrated in Romantic tones, as a place of peace and finding one’s self, as a Walden, but whereas historically, the woods are a terrible, terrible place of darkness. That’s where you go to fight for your life, where the food chain spins endlessly, and human wit is tested against animal ability.

So I say, let’s do that. Let’s pit the humans against the wild. (And don’t even get me started on what a gorgeous season that would be to watch, cinematically).

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THE season I’ve been waiting to see from Murphy. This show had better not run dry by the time we make our detour into Lovecraft Country (perhaps a better subtitle, but it’s clunky). Innsmouth of course is the setting of HP Lovecraft’s classic tale, The Shadow Over Innsmouth, about a small community of inbred and hybrid creatures living on the coastal shores of Massachusetts. Lovecraft has been one of the most defining characters in modern horror, introducing us to Cosmic Horror and a strange philosophical place of Nihilism and mysticism. This topic is hot right now after being constantly hinted at in HBO’s first season of True Detective, so I think it’s time for something more overt to hit the airwaves. Certainly themes are easy enough to play out. Let’s look at science and religion, cults and isolation, the power of nature, sprinkle in some Storm of the Century and tales of epic sea monsters for flashbacks, and we’ve got one of the tightest, darkest, rainiest, and creepiest American Horror Stories yet. Perhaps the topic will dry up by Season Seven, but I doubt it. Lovecraft never leaves us.

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Okay, fine, Maize isn’t a setting, but it was the best I had, and I loved the play on Maize meaning corn, as well as the wordplay of Maze. Look no farther than the Shining for the maze/minotaur trope in classic horror. Mash it up with Children of the Corn and we’ve got something special. Now, though Murphy says he has as many as 13 different settings in mind, I’m worried themes come less varied than settings, especially if he continues to pack them in the way he did in season 2. Eight seasons is already a bit long, but I think these are the quintessential settings that absolutely have to be covered, and the Maize season would be the quintessential finale, wrapping us up for season Nine. The Native American connection brings the end back to America’s beginning. Dig around in America’s roots, explore the monsters in the soil,  Native American legends, the horror stories from before the genocide, then toss in some Dark Romanticism and Sleepy Hollow, maybe pepper in some Celtic Halloween roots to stir the melting pot, and we’ve got an incredible finale to an incredible show.

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American Horror Story: Freak Show (Conjoined Twins)

Just realized that we put this poster/art together two months ago, but that I never tossed it up on the blog (and hence, it’s not showing up on Google), and now has missed the big conjoined casting announcement revealing that Sarah Paulson would play a two-headed/conjoined twin this season, that went out last week. Balls. But here you guys go if you haven’t seen it over on my Facebook page.

American Horror Story Freakshow Conjoined Twins

American Horror Story Freakshow Conjoined Twins

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American Horror Story Freak Show: Nails

Still on a roll with our American Horror Story: Freak Show fan posters and teasers. This video might be my favorite we’ve done so far.

As always, huge thanks to our director, CJ, over at Something Random Media for getting everybody together to do these!

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American Horror Story: Freak Show

(Edit: I’ve added in the more recent couple posters to this post, in order to bring them all together for you guys into one epic AHS:Freak Show post. The one starting us off is a recent re-design on the original that I did in black and white. I was hoping to just change it up to include the new hashtag and real release date — had a fifty fifty chance, sorry — and it pains me that I didn’t see the potential originally, because this one is awesome. )

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Freakshow Clown

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American Horror Story Freak Show Clown

American Horror Story Freak Show Abracadabra

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AHS-Nails-2So I’ve spent a couple looong days working on this project with my buddy CJ from Something Random Media. Of course it’s just a fan project. American Horror Story has a really immersive and rabid fan-base. That — in addition to the ultra-stylized and image-heavy marketing promos FX releases for each season — pushes a lot of fan speculation on both promo videos, as well as their own posters. Because CJ and I are so passionate about photography and video, we thought we’d toss our hats in to up the fan standard (and, if we’re honest, maybe fool a couple people!) We’ll be posting some behind the scenes type info about how we did certain elements, and we’ll be posting more posters and videos in the coming weeks as we execute more ideas. So definitely stay tuned. But do let me know what you think in the comments section down below! And then a couple wallpapers for you too. Because I’m a photoshop addict. American Horror Story Freak Show Title Card

American Horror Story Freak Show Beauty Wallpaper

American Horror Story Freak Show Clown Wallpaper

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iTunes TV Show Album Art

Thought I’d toss up a quick blog post for you guys about iTunes Album Art.

I’m an aesthetic person living in a digital age. Where I went through college proudly arranging my TV on DVD collections on display, and a book fetish that involves tossing as many around my room as I can, I’m still all about the look of art that I love, even if that art is brilliant television or literature.

And, appropriately, bad art bugs me. Whether it’s inconsistencies in the spines of series (Thank God for Scholastic’s treatment of Harry Potter and the beautiful packaging for all nine seasons of the X-Files!), or just cluttered promo images, it’s gotta look good.

Given my background in photoshop and photography, I’ve made it a hobby to modify the iTunes Album Art for all of my favorite shows so that they’ll look snazzier in my media browser (ignoring, of course, the update that collapsed all seasons of a show into the most recent cover. Blasphemy, iTunes, blasphemy). And, to boot, I’ve gotten a massive kick out of editing the official promo poster for new seasons of my favorite shows long before the episodes will drop on iTunes.

So if you need to add album art to any shows purchased outside of iTunes, or if you want to modify what’s already there (Right click your season, go to info, and paste into the Artwork tab), here’s a list of some of my favorite modifications.

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This is the original iTunes cover for season one of American Horror Story. Though the later subtitle would be referred to as “Murder House”, I love the simplicity of the design, and keeping the images defining which subtitle the season was. So as Hollywood later added subtitles to the art, I kept the minimalist design.

American Horror Story Season 2 Asylum Itunes Art

American Horror Story Coven iTunes Art

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(The better version of this one is on its way when I can find a higher res shot of the face)

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Then, to keep beating the AHS horse, I also have supplied consistent album art with the subtitle of each season, but without the small differences, like FX logos and changing around the logo layout. The season 4 one is an alternate cover because it worked better with the top-hatted lady.

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Hannibal’s Season Two poster was so brilliant, it actually brought me back to the first season, which I binge-watched in a week. iTunes has an annoying “Season” two title above the Hannibal title, but this is so much sleeker and closer to the first season artwork of just Mads wiping his mouth.

Hannibal Season 2 iTunes Art

Then of course, a month out of the third season premiere for Hannibal, official season 3 art, and an international variant if you like it better.

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House of Cards isn’t available in digital yet, as part of Netflix’s push to get you to get a subscription, but if you’ve ripped your first season DVDs or find yourself in sudden possession of digital files in your iTunes library just out of the blue sky, you might just want some nice art to spice them up.

House of Cards Season 1 iTunes Art

Season two took a bit of photoshop finesse, as a simple crop of the promo poster doesn’t quite work, with either useless text or too much negative space, so a touch of title shifting and we’re good to go.House of Cards Season 2 iTunes ArtAnd I’m hot to trot off the presses on turning out the brand new Season Three poster into your itunes album art only two weeks before the big premiere! Might not be quite as sharp as the first two seasons, but it’s still a damn good poster, I think.

House of Cards Season three 3 poster itunes album art promo

Supernatural has always had some of the most inconsistent digital album art, mostly just grabbed from various promo posters, but their DVD art has always been gorgeous and consistent. So I’ve cropped them down for you! (Apologies if you own past season five, but that’s where I’ll always insist the show actually ended. Anything after is just the network leaching off its success. Kripke left, the arc wrapped).

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Supernatural S5

True Detective is another that you should grab some excellent art for in case it somehow may have appeared on your computer out of the blue. Though the show is chock full of amazing images and great promos, there’s one that truly speaks as a future DVD cover. Most of these as posters so far have a bunch of useless text atop the photo too, but since I couldn’t find a blank one to shop, bad content-awareing will have to suffice. Still does the job though.

True Detective Season 1 iTunes Art

And last but certainly not least, like its HBO counterpart, True Detective, if the new season of Game of Thrones should appear on your computer, you’d better get yourself some spiffy album art.

Update: True Detective is now available on iTunes with a free trailer and featurettes. The official cover art for the show looks just like this one, only without the crummy content-awareing, so it’s easy to freely download the trailer and copy paste the art onto your files.

Game of Thrones is usually tricky, as they come out with Character Posters each season, but these are never DVD covers. Last year’s dragon-shadow poster became the DVD cover just this past month, so I’d be willing to put my money on the three-eyed Raven official poster being this season’s media art. A quick photoshop later, and this is my best guess for next year’s digital release art.

Game of Thrones Season 4 iTunes Art

Game of thrones season 5 s5 poster itunes art HBOHope this helps you guys out!

UPDATE:

Penny Dreadful just premiered its pilot and I’ve got to say, it’s pretty good. Hard to find a great promo poster, but this is a modification of the best one I could find.

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And, even though it’s not out on DVD yet, some Hemlock Grove.

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And to celebrate the dropping of season two of Hemlock Grove:

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And if anyone is still watching this trainwreck of a show… well, you’re in good company. Here’s the final season of Californication:

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American Horror Story: Coven – “Boy Parts” Review

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Following the smash premiere of the third season of “American Horror Story” (the numbers registered at five and a half million viewers, more than doubling season two’s finale), episode two, “Boy Parts,” hits the ground running, as the season’s plots begin to take off (like a witch on a broomstick, perhaps?). But I’m already starting to wonder… what’s on the way? Check out the full review over at ParanormalPopCulture.com  http://www.paranormalpopculture.com/2013/10/american-horror-story-coven-recap-boy.html

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American Horror Story Season 4 and Season 5 Brainstorm!

News broke this last week that the new season of American Horror Story was going to be subtitled Coven. (For those of you folks who’ve been googling season 4, Coven is in fact the 3rd season of AHS and premieres in the fall of 2013). This follows on the heels of the news that was announced, at the end of last season, that the season would be taking place primarily in the deep south, much of it being filmed in New Orleans.

This has me excited, because I love to wonder about the themes, settings, and frights that this show will be supplying next.

It’s these things that makes the show brilliant: their handling of social and political and philosophical themes; their refreshing new storylines and sets each season; and the gritty horror that they bring to television.

So, following my blogs last season, in which I wondered at the themes and the developments in Asylum, I’m now broadening my scope. I’m thinking ahead to seasons 4 and 5 (which would air in the falls of 2014 and 2015. But of course, in the world of television, future seasons are never sure until they’re ordered. But I like to dream, and American Horror Story killed it with the ratings for its first two seasons, giving FX some steam to compete with other cable biggies a la Walking Dead).

In the first season, we covered the Murder House story. The marketing color was RED. American GOTHIC. The themes explored were drawing from decades of recent Americana. Murder. Abortion. Adultery. Divorce. Sex. School shootings. Drugs. And a healthy dose of ghosts to boot.

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In the second season, we covered the Asylum story. The marketing color was WHITE. The themes ranged from religion, to science. Gay rights. Women’s rights. The masculine and the feminine. Mother issues. Medicine. Mental illness. Abortion. Nature versus nurture. Inherent evil. Nazis. Human experimentation. Alien abduction.

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In the third season, we only know that it’s the Coven story. Which says to most of us: witches. And, shooting in the deep south, I can only guess at marketing colors: GREEN. (Update: Now that season three is in the wind, we see there was a tinge of green and a bit of hot pink, this being a season of feminism themes, amongst others) And I can only imagine themes and topics. Racism, I’d imagine? The mingling of “American” ideals with French and African? Magic. Producers have hinted at lots of sex and more comedy. Hoodoo? Voodoo? Vampires? Segregation?

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So now I’m looking past season three and into four and five. The uncharted, un-talked-about, not-even-rumored, here-be-dragons territory.

(I’m not even forecasting here. I’m just spit-balling).

So what’s left on the plate? The core of this show is explicitly American horror, in the sense of both location and theme. And so brainstorming future settings that hold quintessentially American horror roots is interesting. I’ve only come up with two, but my excitement to see the team’s handling of them is palpable.

I want to see season four hit the coast. I’m a sucker for coastal everything. Lighthouses. Water. Storms. Lovecraftian horror. The kind of sea-eroded history. The moodiness of such an atmosphere. Can you see it?

American-Horror-Story-Season-4-Promo-bannerPromos with only a fat phallic tentacle on a couple storm-beaten rocks? (Oh, you know it would be phallic too. Did you SEE the promo posters for Asylum?) An exploration of the mystery of the sea? A throwback historically to the old sailors, both in discovering America and also fishing. HEAVY draws on Lovecraft, if particularly the Shadow Over Innsmouth? Can you imagine? Cult-like worship of strange sea-creatures within the town? Half-man, half-animal hybrids? Perhaps some splicing/cloning scientific play with that?

Play on seclusion and religion and what makes up a homestead. Safety. Security. Especially in the times we live in. Themes perhaps of that question of security versus freedom.

And then into season five. I have a bias. I think every wonderful show on television only has five good seasons in it. It’s the best amount of time to complete a thorough arc before getting into redundant territory.

And what better way to wrap American Horror Story than a return to America’s roots? The midwest and the colonial east. Cornfields. Small towns. Colonial roots and revolution.

American-Horror-Story-Season-5-Promo-BannerAmericana at its heart. Late summer. Autumn. The harvest. Calling upon the classic horror themes we’ve seen season to season during the heart of Halloween. The imminent fears of the long winter. Questions of simple living, American values. Questions of population growth and food in the modern times but also in the past. Throw back to the land itself. Throw back to Native Americans and the disputes with them. Curses. Genocide. Animals and nature and scarecrows guarding the fields.

A sprinkling of Shyamalan with the Village. Some Hawthorne! Dark Romanticism. A bit of Young Goodman Brown. Some twisted Puritan values. Some Washington Irving, a bit of Ichabod Crane and headless horsemen.

The final iconic monster as something Native American. The revelation coming in that it’s not really a monster. Like all monsters, it’s misunderstood. And it’s usually only as monstrous as we make it.

What better way to wrap up the show than with a final look at the heart of America: where it all came from. How it was founded. The sins in the soil.

But I want to know what YOU guys think. Would that be a satisfying wrap to one of the smartest shows on television? Are there more choice selections of classic horrific Americana that I’m forgetting? What do you want to see in the upcoming seasons? Let me know in the comments section down below!

Update (Feb 6, 2014)

Murphy is still skating as to what in particular season 4 will be called, though I suspect we’ll be hearing about it in the next month or two. He’s already hinted that season four will be over many time periods, but mostly in the 50’s, it’ll be as comedic as season four (though five will be something very much out of left field, he says), and a bit gothic. Folks are having fun with the carnival/circus idea, but I quite like the Freakshow art that appeared in a quick google search. Freakshow is certainly a topic that would be VERY much American Horror Story’s alley, and would touch upon the gothic, but he’s already said fans haven’t nailed it yet, and that the circus idea was baseless.

In lieu of the updates, I wanted to update this post, since it still gets a lot of traffic (almost seventy comments? You guys are AWESOME. And some GREAT ideas that I’d completely overlooked).

I should point out that though there are at times a greenish tinge, AHS seems to have deviated from the color schemes I guessed about above. It seems the black, white, and red will always be their base, with a touch of extra color that might connect with the theme, the way green reflected the south and the witches. That obviously would influence my marketing brainstorms up above a bit.

I still love the ideas of a coastal, Lovecraftian AHS, as well as a midwestern corn-fields and autumnal feel, so I wanted to add some applicable titles and extra promo photo mockups, particularly since I’ve gotten a bit more deft at the photoshop in the year since I posted this bad boy. Enjoy, rock on, and hope to see you on the other side of season four!

(Seasons one through three courtesy and property of FX. Of course, the American Horror Story and FXs logos are copyright FX):

AHS S1

AHS S2

AHS S3

AHS-S4-3

AHS-S5-2

As always,

My name is Karl Pfeiffer. I’m a writer, ghost hunter, and photographer. I won the first season of the pilot reality series Ghost Hunters Academy, and went on to work with the Ghost Hunters International team on the same network. Since then I’ve lead the weekend ghost hunts at the Stanley Hotel, studied religion and writing at Colorado State University, and published my first novel, Hallowtide, in October of 2012. I’m also a conceptual and portrait photographer working out of Northern Colorado. More can be found at www.KarlPfeiffer.com

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